• A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real?

  • Jawline follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.

  • In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, the Ochoas struggle to keep their financial needs from compromising the people in their care.

  • When the Taliban puts a bounty on Afghan director Hassan Fazili’s head, he is forced to flee with his wife and two young daughters. Capturing their uncertain journey, Fazili shows firsthand the dangers facing refugees seeking asylum and the love shared between a family on the run.

  • Active Scientologists and other practitioners of new religions are investigated in a mesmerizing exploration of belief.

  • Blending the personal, poetic and political, filmmaker Petra Costa charts the unfolding political landscape of Brazil to explore one of the most dramatic periods in her country’s history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, Petra explores the rise and fall of both leaders and the tragically polarized nation that remains. The film not only captures this crucial moment in history but serves as a cautionary tale for these times of democratic crisis.

  • A film about climate change, disguised as a portrait of collective anxiety.

  • Part film, part baptism, in Black Mother director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, Black Mother channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

  • Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously photographic journey, memoir, and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late-stage capitalism, narcissism and greed.

  • Composed of intimate and unencumbered moments of people in a community, this film allows the viewer an emotive impression of the Historic South—trumpeting the beauty of life and consequences of the social construction of race.

  • MATANGI / MAYA / M.I.A. is drawn from a cache of personal tapes shot by Maya Arulpragasm and her closest friends over the last 22 years, capturing her remarkable journey from immigrant teenager in London, to the international popstar M.I.A. Inspired by her roots, M.I.A. created a mashup, cut-and-paste identity that pulled from every corner of her journey; a sonic sketchbook that blended Tamil politics, Art school punk, hip-hop beats and the voice of multicultural youth. Never compromising, Maya kept her camera rolling through her battles with the music industry more

  • Part time capsule, part folk song, Phantom Cowboys follows three teenage boys as they approach adulthood in vastly different parts of the United States. Moving fluidly between the deserts of California, the valleys of West Virginia, and the sugarcane fields of Florida, the film explores the lives of these young men during two formative periods—transitioning forward and backward in time over a span of eight years. Larry, Nick, and Ty navigate their teenage and early-adult years through a series of interconnected vignettes, candidly narrated in their own words. The film’s more

  • In 1992, teenager Sandi Tan shot Singapore’s first road movie with her enigmatic American mentor, Georges—who then absconded with all the footage. The 16mm film is recovered 20 years later, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints—and her own.

  • Between Azerbaijan and Armenia, men young and old labor to build a new railroad promising to bring glory to a new generation.  Meanwhile, across closed borders, a lonely stationmaster sits idle in suspended time, waiting for twenty five years for the return of trains.  Across the closed borders of Eurasia, men reflect upon their desires and regrets, floating through the expanse striving to fill their days and dreams, as much as their pockets.

  • Amal is a feisty teenager growing up in post-revolution Egypt while they’re both undergoing a tremendous change. Within a constant political turmoil, Amal searches for her place, identity, and sexuality in a patriarchal society. Amal, whose name literally translates to “hope”, is embarking on a 6-year compelling journey from childhood to adulthood. Along the way, she realizes her limited options as a woman living in an Arab police state.

  • The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up-­and-comers create their own rowdy, lo­fi combustibles, and dozens of teams build larger-than-life papier­-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. More than three quarters of Tultepec’s residents work in pyrotechnics, making the festival more than revelry more

  • Casting JonBenet is a sly and stylized exploration of the world’s most sensational child-murder case, the still unsolved death of six-year-old American beauty queen, JonBenet Ramsey. Over 15 months, the filmmakers traveled to the Ramsey’s Colorado hometown to elicit responses, reflections and performances from the local community, creating a bold work of art born from the collective memories and mythologies the crime inspired.

  • Death by hyperthermia is the official designation. A parent forgets a child in a car, misremembering having dropped them off and leaves the child for so many hours that the child dies of heatstroke. These unpleasant stories sometimes reach the news. Often with the same reactions of hatred toward the parent. Janette Fennel, founder of kidsandcars.org, explains this tendency: “People want them to be monsters. They feel that by saying these things and dissociating anything about themselves and these parents, that could protect them.” Happening on average every ninth day more

  • Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Whether at the local nail salon, the warm beaches of Ocean City, Dina’s racy bachelorette party, or on honeymoon in the Poconos, Dina captures the cadences and candid conversations of a relationship that reexamines the notion of love on-screen.

  • In the middle of the night a red fire truck rushes through the streets. We meet Mahmoud and Subhi inside the car engaged in discussion: Are we going to die now? They follow the smell of what they fear is a chemical bomb attack. This is Aleppo, where death surrounds you. Dark and empty with deserted buildings, telling the story of a thousand disrupted lives. Through this trip, searching for survivors, we experience the personal story behind the war. Khalid, Subhi and Mahmoud, all founding members of the White Helmets more