• Based on the nonfiction book by John D’Agata, About a Mountain is an essay film that explores the human need to know the truth and what happens when the answers we desperately seek are not so clear. The film follows three interwoven stories, all involving characters who  scramble for answers to personal, environmental, and philosophical challenges. Does the extensive scientific research done at Nevada’s Yucca Mountain ensure that nuclear waste can be safely stored there for one million years? When a bright and seemingly happy young man suddenly jumps off more

  • Part film, part baptism, director Khalik Allah cast his lens between the prostitutes and churches of Jamaica, the result is a nuanced polyphonic symphony, heightened by a level of intimacy and complete immersion in spirit. A timely respite from the bad news and a response thereto — a film punctuated by prayers, scored with laughter and fortified with hope. Allah introduces us to a succession of vibrant, idiosyncratic souls who call this island home. Their candid testimonies provide a penetrating glimpse into this misunderstood corner of the world and also more

  • Tensions flare on the set of a controversial new art film.

  • Hale County This Morning, This Evening uses the integrity of the non-fiction genre and the currency of stereotypical imagery to fill in the landscape between iconic representations of black men. Amid the lives of protagonists Daniel and Quincy, quotidian moments and the surrounding southern landscape are given importance, drawing poetic comparisons between the historic symbols and the Black banal. Images are woven together to replace narrative arc with visual movements. Here, a new way of looking at this community is encouraged while the resistance of traditional narrative and structure suspends more

  • From the deserts of California to the sugarcane fields of Florida, Phantom Cowboys follows boys in three industrial towns during two formative periods in their lives, juxtaposing the dreams of their youth with the reality of adulthood. Moving fluidly between different geographical and socioeconomic landscapes, this film offers an intimate portrait of the transition from adolescence to manhood for teenagers in vastly different parts of the country.

  • In the summer of 1992, teenage film geek Sandi Tan and her two friends, Sophie and Jasmine, made one of Singapore’s first indie films, a surreal road movie called Shirkers. Their enigmatic American film instructor, Georges Cardona, played the director; Sandi wrote the script and played the main character, a teenage murderess/savior named S. It was an idiosyncratic experiment, featuring about 100 actors in 100 locations and the largest dog in the country, all accomplished gratis (Kodak provided the film stock). When shooting wrapped, Cardona absconded with all of the more