All That Passes By Through a Window That Doesn’t Open
Between Azerbaijan and Armenia, men young and old labor to build a new railroad promising to bring glory to a new generation. Meanwhile, across closed borders, a lonely stationmaster sits idle in suspended time, waiting for twenty five years for the return of trains. Across the closed borders of Eurasia, men reflect upon their desires and regrets, floating through the expanse striving to fill their days and dreams, as much as their pockets.
Amal is a feisty teenager growing up in post-revolution Egypt while they’re both undergoing a tremendous change. Within a constant political turmoil, Amal searches for her place, identity, and sexuality in a patriarchal society. Amal, whose name literally translates to “hope”, is embarking on a 6-year compelling journey from childhood to adulthood. Along the way, she realizes her limited options as a woman living in an Arab police state.
Death of a Child
Death by hyperthermia is the official designation. A parent forgets a child in a car, misremembering having dropped them off and leaves the child for so many hours that the child dies of heatstroke. These unpleasant stories sometimes reach the news. Often with the same reactions of hatred toward the parent. Janette Fennel, founder of kidsandcars.org, explains this tendency: “People want them to be monsters. They feel that by saying these things and dissociating anything about themselves and these parents, that could protect them.” Happening on average every ninth day more►
Hale County This Morning, This Evening
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
In the Last Days of the City
Downtown Cairo, 2009. Khalid, a 35 year old filmmaker is struggling to make a film that captures the soul of his city while facing loss in his own life. With the help of his friends, who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living in the last days of the city.
MATANGI / MAYA / M.I.A.
Drawn from a never-before-seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
Monsters and Men
This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand.