• Standing Rock, 2016: the largest Native American occupation since Wounded Knee, thousands of activists, environmentalists, and militarized police descend on the Dakota Access Pipeline, in a standoff between Big Oil and a new generation of native warriors. Embedded in the movement, native activist and filmmaker Cody Lucich chronicles the sweeping struggle in stunning clarity, as the forces battle through summer to bitter winter, capturing the spirit and havoc of an uprising.

  • Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously photographic journey, memoir, and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late-stage capitalism, narcissism and greed.

  • Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

  • MATANGI / MAYA / M.I.A. is drawn from a cache of personal tapes shot by Maya Arulpragasm and her closest friends over the last 22 years, capturing her remarkable journey from immigrant teenager in London, to the international popstar M.I.A. Inspired by her roots, M.I.A. created a mashup, cut-and-paste identity that pulled from every corner of her journey; a sonic sketchbook that blended Tamil politics, Art school punk, hip-hop beats and the voice of multicultural youth. Never compromising, Maya kept her camera rolling through her battles with the music industry more

  • When a young father witnesses the police shooting of an unarmed black man, the tight-knit community of Bed-Stuy is pushed to the brink in Reinaldo Marcus Green’s Sundance Award-winning portrait of race, family, and consequence.

  • Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future.

  • In 1992, teenager Sandi Tan shot Singapore’s first road movie with her enigmatic American mentor, Georges—who then absconded with all the footage. The 16mm film is recovered 20 years later, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints—and her own.

  • In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success—which propels him into a macabre universe. Sorry to Bother You made its world premiere in the U.S. Dramatic Competition at Sundance 2018. It will be released in July 2018 by Annapurna.

  • Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Based on the novel by Justin Torres. We the Animals premiered in the NEXT category at the 2018 Sundance Film Festival and received the NEXT Innovator Award.