Hale County This Morning, This Evening
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
MATANGI / MAYA / M.I.A.
Drawn from a never-before-seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
Monsters and Men
This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand.
Night Comes On
Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future.
In 1992, teenager Sandi Tan shot Singapore’s first road movie with her enigmatic American mentor, Georges—who then absconded with all the footage. The 16mm film is recovered 20 years later, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints—and her own.
Sorry to Bother You
In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success—which propels him into a macabre universe.
We the Animals
Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. (Based on the novel by Justin Torres)